beautiful and fascinating tourist attractions in Mexico

chapultepec
Chapultepec, more commonly called the "Bosque de Chapultepec" (Chapultepec Forest) in Mexico City, is one of the largest city parks in the Western Hemisphere, measuring in total just over 686 hectares (1,695 acres). Centered on a rock formation called Chapultepec Hill, one of the park's main functions is to be an ecological space in the vast megalopolis. It is considered the first and most important of Mexico City's "lungs", with trees that replenish oxygen to the Valley of Mexico. The park area has been inhabited and held as special since the Pre-Columbian era, when it became a retreat for Aztec rulers. In the colonial period, Chapultepec Castle would be built here, eventually becoming the official residence of Mexican heads of state. It would remain such until 1940, when it was moved to another part of the park called Los Pinos. Today, the park is divided into three sections, with the first section being the oldest and most visited. This section contains most of the park's attractions including its zoo, the Museum of Anthropology, the Rufino Tamayo Museum, and more. It receives an estimated 15 million visitors per year. This prompted the need for major rehabilitation efforts which began in 2005 and ended in 2010.According to archeological studies, there has been human presence since at least the pre-Classic period with the first identified culture in evidence that of the Toltecs. It was they who gave the area the name of "grasshopper hill" which would become Chapultepec. Remains of a Toltec altar have been found on the hill's summit. In the Classic Period, the area was occupied by people of the Teotihuacan culture. When the Mexicas, or Aztecs arrived in the Valley of Mexico, it was inhabited by a people called the Tepanecas of Azcapotzalco.

Palacio de Bellas Artes
The Palacio de Bellas Artes (Palace of Fine Arts) is the most important cultural center in Mexico City as well as the rest of the country of Mexico. It is located on the west side of the historic center of Mexico City next to the Alameda Central park.

The first National Theater of Mexico was built in the late 19th century, but it was soon decided to tear this down in favor of a more opulent building in time for Centennial of the Mexican War of Revolution in 1910. The initial design and construction was undertaken by Italian architect Adamo Boari in 1904, but complications arising from the soft subsoil and the political problem both before and during the Mexican Revolution, hindered then stopped construction completely by 1913. Construction began again in 1932 under Mexican architect Federico Mariscal and was completed in 1934. The exterior of the building is primarily Neoclassical and Art Nouveau and the interior is primarily Art Deco. The building is best known for its murals by Diego Rivera, Siqueiros and others, as well as the many exhibitions and theatrical performances its hosts, including the Ballet Folklorico de Mexico.The earliest known structure on the site was the Convent of Santa Isabel, whose church was built in 1680. However, significant Aztec finds, such as a sacrificial altar in the shape of a plumed serpent have been found here. The convent area suffered frequent flooding during the early colonial period and development here grew slowly. In spite of this, the convent remained until it was forcibly closed in the 1860s by the Reform Laws. It was replaced by a textile mill and lower-class housing

cathedrals in mexico city

The Metropolitan Cathedral of the Assumption of Mary of Mexico City (Spanish: Catedral Metropolitana de la Asunción de María) is the largest cathedral in the Americas,[2] and seat of the Roman Catholic Archdiocese of Mexico. It is situated atop the former Aztec sacred precinct near the Templo Mayor on the northern side of the Plaza de la Constitución in Downtown Mexico City. The cathedral was built in sections from 1573 to 1813 around the original church that was constructed soon after the Spanish conquest of Tenochtitlan, eventually replacing it entirely. Spanish architect Claudio de Arciniega planned the construction, drawing inspiration from Gothic cathedrals in Spain.


Organ
The cathedral has four façades which contain portals flanked with columns and statues. The two bell towers contain a total of 25 bells. The tabernacle, adjacent to the cathedral, contains the baptistery and serves to register the parishioners. There are two large, ornate altars, a sacristy, and a choir in the cathedral. Fourteen of the cathedral's sixteen chapels are open to the public. Each chapel is dedicated to a different saint or saints, and each was sponsored by a religious guild. The chapels contain ornate altars, altarpieces, retablos, paintings, furniture and sculptures. The cathedral is home to two of the largest 18th-century organs in the Americas. There is a crypt underneath the cathedral that holds the remains of many former archbishops.

Over the centuries, the cathedral has suffered damage. A fire in 1967 destroyed a significant part of the cathedral's interior. The restoration work that followed uncovered a number of important documents and artwork that had previously been hidden. Although a solid foundation was built for the cathedral, the soft clay soil it is built on has been a threat to its structural integrity. Dropping water tables and accelerated sinking caused the structure to be added to the World Monuments Fund list of the 100 Most Endangered Sites. Reconstruction work beginning in the 1990s stabilized the cathedral and it was removed from the endangered list in 2000.

After the Spanish conquest of the Aztec Empire, the conquistadors decided to build their church on the site of the Templo Mayor of the Aztec city of Tenochtitlan to consolidate Spanish power over the newly conquered domain. Hernán Cortés and the other conquistadors used the stones from the destroyed temple of the Aztec god of war Huitzilopochtli, principal deity of the Aztecs, to build the church. Cortés ordered the original church's construction after he returned from exploring what is now Honduras. Architect Martín de Sepúlveda was the first director of this project from 1524 to 1532. Juan de Zumárraga, the first Bishop of the first See of the New World, established in the Viceroyalty of New Spain, promoted this church's completion. Zumárraga's Cathedral was located in the northeast portion of what is now the cathedral. It had three naves separated by three Tuscan columns. The central roof was ridged with intricate carvings done by Juan Salcedo Espinosa and gilded by Francisco de Zumaya and Andrés de la Concha. The main door was probably of Renaissance style. The choir area had 48 seats made of ayacahuite wood crafted by Adrian Suster and Juan Montaño. However, this church was soon considered inadequate for the growing importance of the capital of New Spain.

In 1544, ecclesiastical authorities in Valladolid ordered the creation of new and more sumptuous cathedral. In 1552, an agreement was reached whereby the cost of the new cathedral would be shared by the Spanish crown, encomenderos and the Indians under the direct authority of the archbishop of New Spain. The cathedral was begun by being built around the existing church in 1573. When enough of the cathedral was built to house basic functions, the original church was demolished to enable construction to continue.and many more tourist attractions in Mexico that you must visit

angel de la independencia

cathedrals in mexico city

chapultepec

fundidora park

meksiko church of santo domingo de guzmán

palacio de bellas artes

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tourist places in vancouver canada beautiful

stanley the park

Stanley Park is a 1,001-acre public park that borders the downtown of Vancouver, Canada and is almost entirely surrounded by waters of Vancouver Harbour and English Bay.

The park has a long history and was one of the first areas to be explored in the city. The land was originally used by indigenous peoples for thousands of years before British Columbia was colonized by the British during the 1858 Fraser Canyon Gold Rush. For many years after colonization, the future park with its abundant resources would also be home to nonaboriginal settlers. The land was later turned into Vancouver's first park when the city incorporated in 1886. It was named after Lord Stanley, a British politician who had recently been appointed governor general.

Unlike other large urban parks, Stanley Park is not the creation of a landscape architect, but rather the evolution of a forest and urban space over many years. Most of the manmade structures we see today were built between 1911 and 1937 under the influence of then superintendent W.S. Rawlings. Additional attractions, such as a polar bear exhibit, aquarium, and miniature train, were added in the post-war period.

Much of the park remains as densely forested as it was in the late 1800s, with about a half million trees, some of which stand as tall as 76 metres (249 ft) and are up to hundreds of years old.Thousands of trees were lost (and many replanted) after three major windstorms that took place in the past 100 years, the last in 2006.

Significant effort was put into constructing the near-century-old Vancouver Seawall, which can draw thousands of residents and visitors to the park every day.The park also features forest trails, beaches, lakes, children's play areas, and the Vancouver Aquarium, among many other attractions.

canada place vancouver

Canada Place is a building situated on the Burrard Inlet waterfront of Vancouver, British Columbia. It is the home of the Vancouver Convention Centre, the Pan Pacific Vancouver Hotel, Vancouver's World Trade Centre, and FlyOver Canada (a virtual flight ride which replaced the world's first permanent IMAX 3D theatre and which ceased operation on October 1, 2009). The building's exterior is covered by fabric roofs resembling sails. It is also the main cruise ship terminal for the region, where most of Vancouver's famous cruises to Alaska originate. The building was designed by architects Zeidler Roberts Partnership in joint venture with Musson Cattell Mackey Partnership and DA Architects + Planners.

Canada Place can be reached via the SkyTrain line at the nearby Waterfront Station terminus or via West Cordova Street in Vancouver. The white sails of the building have made it a prominent landmark for the city, as well as drawing comparisons to the Sydney Opera House in Sydney, Australia and the Denver International Airport in Denver, Colorado.[citation needed]

The structure was expanded in 2001 to accommodate another cruise ship berth and in 2009/10, for the 2010 Winter Olympics, Canada Place served as the Main Press Centre.

vancouver Bloedel Floral conservatory

In 1966, communities and organizations across Canada were encouraged to engage in Centennial projects to celebrate this country’s 100th anniversary. The projects ranged from special one-time events to local improvement projects. In Vancouver, Stuart Lefeaux, Superintendent of the Vancouver Park Board and his Deputy Bill Livingstone had a vision for Vancouver: they wanted to create an icon that would enhance the image of the city, while at the same time give people something to be really excited about. Their vision was to build a conservatory for exotic plants that would not only be educational, but would also be a great place for families to go.

What better spot to place such a landmark than at the geographic centre of the city and at its highest point of land? Building a conservatory on top of Little Mountain, as it was called at the time, was a complicated project. The City had already leased the top of the mountain to the Greater Vancouver Water Board and they had built a 5 ½ acre open water reservoir for the City’s potable water supply. A concrete lid was constructed in 1965 to cover the reservoir, but approval was needed to build the Conservatory’s surrounding plaza on top of the cover. The project was not to detract from the natural beauty of the site, nor to jeopardize the quality of the potable water supply in the reservoir. Climates had to be simulated for temperate, tropical and arid areas in the botanical displays inside the Conservatory, and the project was not to exceed the budget. Giving the immense concrete plaza over the reservoir an attractive garden atmosphere meant working within rigid and expensive water board restrictions.These challenges were overcome, and the Conservatory was constructed next to this reservoir, which remains a major source of water for the city today.

With philanthropy from extraction companies being at an all time high during the 1960s, Lefeux and Livingstone knew there must be a way to get this project funded. They approached Prentice Bloedel of the Macmillan Bloedel Lumber Company. Mr. Bloedel, a visionary in his own right, teacher at heart and a pioneer in the areas of recycling and the human/ environmental connection, agreed! The Bloedel Foundation put forward $1.25 million in conjunction with contributions by the City of Vancouver and the Vancouver Board of Parks and Recreation to build the Bloedel Conservatory, the Dancing Fountains and the surrounding plaza. This gift was the largest the city of Vancouver had received to that date.

The triodetic dome frame was manufactured entirely in Ottawa and shipped 3,000 miles across the country to Queen Elizabeth Park. Once it arrived, the structural framework was erected in just 10 days. The entire dome and plaza took 18 months to complete. The Grand Opening of the Conservatory took place to much fanfare on December 6, 1969 and hosted over 500,000 people in its first year of operation. Prentice and his wife Virginia, both avid art collectors, also donated the monumental bronze sculpture ‘Knife Edge - Two Piece’ by famed artist Henry Moore.

In November 2009, facing a large budget shortfall, the Vancouver Park Board voted in favour of closing the Conservatory. The approximately $240,000 CDN annual operating budget, the need for a roof replacement and other major capital costs were cited by members of the board as reasons for the decision. The closure was to take effect on March 1, 2010, just after Vancouver had finished hosting the 2010 Winter Olympic and Paralympic Games. In response to the decision several groups formed in order to lobby both the board and city council.

In early January 2010, a commissioner reported that attendance numbers were up sharply in December 2009 over December 2008 now that construction projects at the adjacent reservoir on Little Mountain and along Cambie Street, which started in 2003, had been completed.By the end of January, the Friends of the Bloedel Association had helped raise $80,000, and was projecting $250,000 by the proposed March closure.In late February, the park board voted to keep the facility open and asked for proposals on running it.

On April 29, 2010, the Friends of the Bloedel Association and VanDusen Botanical Garden Association submitted a proposal to the Vancouver Park Board to run the Bloedel Conservatory as part of the VanDusen Botanical Gardens, and the Conservatory remained open. At least one other proposal was received, but the joint proposal of the Friends of the Bloedel and the VanDusen Association was approved by the Services and Budgets Committee of the Vancouver Park Board on July 20, 2010, and unanimously approved by the full Park Board on September 20, 2010. On May 29, 2013, the Friends of the Bloedel won the City of Vancouver Heritage Commission Award of Honour, which “denotes an outstanding contribution to heritage conservation in the City of Vancouver and recognizes the advocacy and successful efforts to save and revitalize landmark sites”.and still there are many other tourist attractions following example

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venezia and beauty tourism

piazza san marco venice

Piazza San Marco (Italian pronunciation: [ˈpjatt͡sa san ˈmarko], often known in English as the St Mark's Square), is the principal public square of Venice, Italy, where it is generally known just as "the Piazza" (la Piazza). All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called "campi" (fields). The Piazzetta (the 'little Piazza') is an extension of the Piazza towards the lagoon in its south east corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of themThe Piazza is dominated at its eastern end by the great church of St Mark. It is described here by a perambulation starting from the west front of the church (facing the length of the Piazza) and proceeding to the right.

The west facade of St Mark's basilica

The church is described in the article St Mark's Basilica, but there are aspects of it which are so much a part of the Piazza that they must be mentioned here, including the whole of the west facade with its great arches and marble decoration, the Romanesque carvings round the central doorway and, above all, the four horses which preside over the whole piazza and are such potent symbols of the pride and power of Venice that the Genoese in 1379 said that there could be no peace between the two cities until these horses had been bridled;four hundred years later, Napoleon, after he had conquered Venice, had them taken down and shipped to Paris.

The Piazzetta dei Leoncini is an open space on the north side of the church named after the two marble lions (presented by Doge Alvise Mocenigo in 1722), but now officially called the Piazzetta Giovanni XXIII. The neo-classic building on the east side adjoining the Basilica is the Palazzo Patriarcale, the seat of the Patriarch of Venice.

Beyond that is the Clock Tower (Torre dell'Orologio), completed in 1499, above a high archway where the street known as the Merceria (a main thoroughfare of the city) leads through shopping streets to the Rialto, the commercial and financial center. To the right of the clock-tower is the closed church of San Basso, designed by Baldassare Longhena (1675), sometimes open for exhibitions.

To the left is the long arcade along the north side of the Piazza, the buildings on this side are known as the Procuratie Vecchie, the old procuracies, formerly the homes and offices of the Procurators of St. Mark, high officers of state in the days of the republic of Venice. They were built in the early 16th century. The arcade is lined with shops and restaurants at ground level, with offices above. The restaurants include the famous Caffe Quadri, which was patronized by the Austrians when Venice was ruled by Austria in the 19th century, while the Venetians preferred Florian's on the other side of the Piazza.

Turning left at the end, the arcade continues along the west end of the Piazza, which was rebuilt by Napoleon about 1810 and is known as the Ala Napoleonica (Napoleonic Wing). It holds, behind the shops, a ceremonial staircase which was to have led to a royal palace but now forms the entrance to the Museo Correr (Correr Museum).

The west face of the Campanile seen from the Piazza (during Carnival in Feb.1998)

Turning left again, the arcade continues down the south side of the Piazza. The buildings on this side are known as the Procuratie Nuove (new procuracies), which were designed by Jacopo Sansovino in the mid 16th century but partly built (1582-6) after his death by Vincenzo Scamozzi apparently with alterations required by the Procurators and finally completed by Baldassare Longhena about 1640.[6] Again, the ground floor has shops and also the Caffè Florian, a famous cafe opened in 1720 by Floriano Francesconi, which was patronised by the Venetians when the hated Austrians were at Quadri's. The upper floors were intended by Napoleon to be a palace for his stepson Eugène Beauharnais, his viceroy in Venice, and now houses the Museo Correr. At the far end the Procuratie meet the north end of Sansovino's Libreria (mid-16th century), whose main front faces the Piazzetta and is described there. The arcade continues round the corner into the Piazzetta.

san giorgio maggiore island

san giorgio maggiore island

San Giorgio Maggiore was probably occupied in the Roman period; after the foundation of Venice it was called Insula Memmia after the Memmo family who owned it. By 829 it had a church consecrated to St George; thus it was designated as San Giorgio Maggiore to be distinguished from San Giorgio in Alga.
The San Giorgio Monastery was established in 982, when the Benedictine monk, Giovanni Morosini, asked the doge Tribuno Memmo to donate the whole island for a monastery. Morosini drained the island's marshes next to the church to get the ground for building, and founded the Monastery of San Giorgio Maggiore, and became its first abbot.San Giorgio is now best known for the Church of San Giorgio Maggiore, designed by Palladio and begun in 1566. The belltower has a ring of 9 bells in C#.
In the early 19th century, after the Republic fell, the monastery was almost suppressed and the island became a free port with a new harbour built in 1812. It became the home of Venice's artillery.




basilika santo markus

basilika santo markus

St Mark's Basilica in Venice is the most famous church and one of the best known examples of Byzantine architecture. This church served as a status symbol of wealth and power of Venice from the 11th century onwards, the building was known by the nickname Chiesa d'Oro (Church of gold).

Venice museo di storia naturale in venezia

Museo di Storia Naturale di Venezia (English: Natural History Museum of Venice) is a museum of natural history housed in Fondaco dei Turchi, located on the Grand Canal, Venice, Italy. Its collection is mainly based around the nature of the Venetian lagoon that surrounds the city. Today it is one of the 11 venues managed by the Fondazione Musei Civici di Venezia.The museum is located in the Fondaco dei Turchi, originally built in the 13th century as a palazzo for the Pesaro family It is built in the Venetian Byzantine style, being originally used as a trading depot for goods from the East In 1381, the building was given to the lord of Ferrara, Niccolò II d'Este. In 1621, it became the fondaco (or fontego) for Turkish merchants, a place for them to live and do business, until 1838. From 1865, the building was extensively restored. After this work, it housed the Museo Correr and then the Natural History Museum from 1923.

saint rocco wiki

The Church of Saint Roch (Italian: Chiesa di San Rocco) is a Roman Catholic church dedicated to Saint Roch in Venice, northern Italy. It was built between 1489 and 1508 by Bartolomeo Bon the Younger, but was substantially altered in 1725. The façade dates from 1765 to 1771, and was designed by Bernardino Maccarucci. The church is one of the Plague-churches built in Venice.

St. Roch, whose relics rest in the church after their transfer from Voghera (trad. Montpellier), was declared a patron saint of the city in 1576. Every year, on his feast day (16 August), the Doge made a pilgrimage to the church.Near the church is the Scuola Grande di San Rocco, noted for its numerous Tintoretto paintings. It was founded in the 15th century as a confraternity to assist the citizens in time of plague.

early giar

Venice museo di storia naturale in venezia

venice san giorgio dei greci

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