Custom Search

Monday, March 23, 2015

beautiful and fascinating tourist attractions in Mexico


chapultepec
Chapultepec, more commonly called the "Bosque de Chapultepec" (Chapultepec Forest) in Mexico City, is one of the largest city parks in the Western Hemisphere, measuring in total just over 686 hectares (1,695 acres). Centered on a rock formation called Chapultepec Hill, one of the park's main functions is to be an ecological space in the vast megalopolis. It is considered the first and most important of Mexico City's "lungs", with trees that replenish oxygen to the Valley of Mexico. The park area has been inhabited and held as special since the Pre-Columbian era, when it became a retreat for Aztec rulers. In the colonial period, Chapultepec Castle would be built here, eventually becoming the official residence of Mexican heads of state. It would remain such until 1940, when it was moved to another part of the park called Los Pinos. Today, the park is divided into three sections, with the first section being the oldest and most visited. This section contains most of the park's attractions including its zoo, the Museum of Anthropology, the Rufino Tamayo Museum, and more. It receives an estimated 15 million visitors per year. This prompted the need for major rehabilitation efforts which began in 2005 and ended in 2010.According to archeological studies, there has been human presence since at least the pre-Classic period with the first identified culture in evidence that of the Toltecs. It was they who gave the area the name of "grasshopper hill" which would become Chapultepec. Remains of a Toltec altar have been found on the hill's summit. In the Classic Period, the area was occupied by people of the Teotihuacan culture. When the Mexicas, or Aztecs arrived in the Valley of Mexico, it was inhabited by a people called the Tepanecas of Azcapotzalco.

Palacio de Bellas Artes
The Palacio de Bellas Artes (Palace of Fine Arts) is the most important cultural center in Mexico City as well as the rest of the country of Mexico. It is located on the west side of the historic center of Mexico City next to the Alameda Central park.

The first National Theater of Mexico was built in the late 19th century, but it was soon decided to tear this down in favor of a more opulent building in time for Centennial of the Mexican War of Revolution in 1910. The initial design and construction was undertaken by Italian architect Adamo Boari in 1904, but complications arising from the soft subsoil and the political problem both before and during the Mexican Revolution, hindered then stopped construction completely by 1913. Construction began again in 1932 under Mexican architect Federico Mariscal and was completed in 1934. The exterior of the building is primarily Neoclassical and Art Nouveau and the interior is primarily Art Deco. The building is best known for its murals by Diego Rivera, Siqueiros and others, as well as the many exhibitions and theatrical performances its hosts, including the Ballet Folklorico de Mexico.The earliest known structure on the site was the Convent of Santa Isabel, whose church was built in 1680. However, significant Aztec finds, such as a sacrificial altar in the shape of a plumed serpent have been found here. The convent area suffered frequent flooding during the early colonial period and development here grew slowly. In spite of this, the convent remained until it was forcibly closed in the 1860s by the Reform Laws. It was replaced by a textile mill and lower-class housing

cathedrals in mexico city

The Metropolitan Cathedral of the Assumption of Mary of Mexico City (Spanish: Catedral Metropolitana de la Asunción de María) is the largest cathedral in the Americas,[2] and seat of the Roman Catholic Archdiocese of Mexico. It is situated atop the former Aztec sacred precinct near the Templo Mayor on the northern side of the Plaza de la Constitución in Downtown Mexico City. The cathedral was built in sections from 1573 to 1813 around the original church that was constructed soon after the Spanish conquest of Tenochtitlan, eventually replacing it entirely. Spanish architect Claudio de Arciniega planned the construction, drawing inspiration from Gothic cathedrals in Spain.


Organ
The cathedral has four façades which contain portals flanked with columns and statues. The two bell towers contain a total of 25 bells. The tabernacle, adjacent to the cathedral, contains the baptistery and serves to register the parishioners. There are two large, ornate altars, a sacristy, and a choir in the cathedral. Fourteen of the cathedral's sixteen chapels are open to the public. Each chapel is dedicated to a different saint or saints, and each was sponsored by a religious guild. The chapels contain ornate altars, altarpieces, retablos, paintings, furniture and sculptures. The cathedral is home to two of the largest 18th-century organs in the Americas. There is a crypt underneath the cathedral that holds the remains of many former archbishops.

Over the centuries, the cathedral has suffered damage. A fire in 1967 destroyed a significant part of the cathedral's interior. The restoration work that followed uncovered a number of important documents and artwork that had previously been hidden. Although a solid foundation was built for the cathedral, the soft clay soil it is built on has been a threat to its structural integrity. Dropping water tables and accelerated sinking caused the structure to be added to the World Monuments Fund list of the 100 Most Endangered Sites. Reconstruction work beginning in the 1990s stabilized the cathedral and it was removed from the endangered list in 2000.

After the Spanish conquest of the Aztec Empire, the conquistadors decided to build their church on the site of the Templo Mayor of the Aztec city of Tenochtitlan to consolidate Spanish power over the newly conquered domain. Hernán Cortés and the other conquistadors used the stones from the destroyed temple of the Aztec god of war Huitzilopochtli, principal deity of the Aztecs, to build the church. Cortés ordered the original church's construction after he returned from exploring what is now Honduras. Architect Martín de Sepúlveda was the first director of this project from 1524 to 1532. Juan de Zumárraga, the first Bishop of the first See of the New World, established in the Viceroyalty of New Spain, promoted this church's completion. Zumárraga's Cathedral was located in the northeast portion of what is now the cathedral. It had three naves separated by three Tuscan columns. The central roof was ridged with intricate carvings done by Juan Salcedo Espinosa and gilded by Francisco de Zumaya and Andrés de la Concha. The main door was probably of Renaissance style. The choir area had 48 seats made of ayacahuite wood crafted by Adrian Suster and Juan Montaño. However, this church was soon considered inadequate for the growing importance of the capital of New Spain.

In 1544, ecclesiastical authorities in Valladolid ordered the creation of new and more sumptuous cathedral. In 1552, an agreement was reached whereby the cost of the new cathedral would be shared by the Spanish crown, encomenderos and the Indians under the direct authority of the archbishop of New Spain. The cathedral was begun by being built around the existing church in 1573. When enough of the cathedral was built to house basic functions, the original church was demolished to enable construction to continue.and many more tourist attractions in Mexico that you must visit

angel de la independencia
angel de la independencia

cathedrals in mexico city
cathedrals in mexico city

chapultepec
chapultepec

fundidora park
fundidora park

meksiko church of santo domingo de guzmán
meksiko church of santo domingo de guzmán

palacio de bellas artes
palacio de bellas artes

0 comments:

Post a Comment