iguazu waterfalls
Iguazu name derived from the words in the language Guarani or Tupi y (IPA: [ɨ]) (water) and ûasú (IPA: [wa'su]) (large). Legend has it that the gods want to marry a woman named Naipí, who then went by her lover Tarobá in a canoe. Gods became angry and divide the river that creates a waterfalls and two of them fell into it. The first European to find this waterfall is a Spanish explorer Alvar Núñez Cabeza named Conquistador de Vaca in 1541, which is also enshrined in the name part of waterfalls on the Argentine side. This waterfall and then rediscovered by Boselli at the end of the 19th century, and one of the other waterfalls in the name of the Argentine side is named after his
colon theater buenos aires
The Teatro Colón (Spanish) (Colón Theatre) is the main opera house in Buenos Aires, Argentina. It is ranked the third best opera house in the world by National Geographic,[1] and is acoustically considered to be amongst the five best concert venues in the world. The other venues are Berlin's Konzerthaus, Vienna's Musikverein, the Concertgebouw in Amsterdam, and Boston's Symphony Hall.
The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's Aïda.
The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo.
After this period of huge international success, the theatre's decline became clear and plans were made for massive renovations. After an initial start of works to restore the landmark in 2005, the theatre was closed for refurbishment from October 2006 to May 2010. It re-opened on 24 May 2010, with a programme for the 2010 season.
argentina Jesuit block and estancias of córdoba
The Jesuit Block and Estancias of Córdoba (Spanish: Manzana Jesuítica y Estancias de Córdoba) are a former Jesuit reduction built by missionaries in the province of Córdoba, Argentina, named a World Heritage Site in 2000.
The Manzana Jesuítica contains the University of Córdoba, one of the oldest in South America, the Monserrat Secondary School, a church, and residence buildings. To maintain such a project, the Jesuits operated six Estancias (residences) around the province of Córdoba, named Caroya, Jesús María, Santa Catalina, Alta Gracia, Candelaria and San Ignacio.
The farm and the complex, started in 1615, had to be left by the Jesuits, following the 1767 decree by King Charles III of Spain that expelled them from the continent. They were then run by the Franciscans until 1853, when the Jesuits returned to The Americas. Nevertheless, the university and the high-school were nationalized a year later.
Each Estancia has its own church and set of buildings, around which towns grew, such as Alta Gracia, the closest to the Block. The Estancia San Ignacio no longer exists. The Jesuit Block and the Estancias can be visited by tourists; the Road of the Jesuit Estancias has around 250 kilometres of length.
Floralis Generica
Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and is both a hope that is reborn every day to open." It was created in 2002. The sculpture was designed to move, closing its petals in the evening and opening them in the morning, although this mechanism is currently disabled.
The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks at the sky, extending to its six petals. It weighs eighteen tons and is 23 meters high.
One of the characteristics of the flower is an electrical system that automatically opens and closes the petals depending on the time of the day. At night the flower closes, emanating a red glow from inside, and reopens ("...is reborn...") the following morning. This mechanism also closes the flower if strong winds blow.
It opens every morning at 8 and closes at sunset, on a schedule that changes according to season. When its petals were inaugurated, they didn't close due to technical problems which were solved two months later.
There are four special nights in which the petals are open: May 25, September 21, December 24 and December 31.
According to Eduardo Catalano, the author, Floralis "means belonging to the flora and therefore the flowers", and Genérica "from the concept of "gender" and indicates that it represents all the flowers in the world".
The electronics employed in opening and closing the flower were disabled in 2010 to prevent damaging the sculpture, so it remains permanently open. This is due to the fact that one of the petals was incorrectly installed during its assembly, as noted by Catalano himself. The company responsible for its construction, Lockheed Martin Aircraft Argentina, provided a 25-year warranty, but as the company was nationalized in 2009 its repair was delayed. The mechanism is expected to be functional again by March 2015.
argentina argentine national congress
The Palace of the Argentine National Congress (Spanish: Palacio del Congreso Nacional Argentino, often referred locally as Palacio del Congreso) is a monumental building, seat of the Argentine National Congress, located in Buenos Aires at the western end of Avenida de Mayo (at the other end of which is the Casa Rosada). Constructed between 1898 and 1906, the palace is a National Historic Landmark.
The Kilometre Zero for all Argentine National Highways is marked on a milestone at the Congressional Plaza, next to the building.Designed by the Italian architect Vittorio Meano and completed by Argentine architect Julio Dormal, the building was under construction between 1898 and 1906. Inaugurated that year, its aesthetic details were not completed until 1946. The quadriga atop the entrance is the work of sculptor Victor de Pol; Argentine sculptor Lola Mora graced the interior halls and exterior alike with numerous allegorical bronzes and marble statues, including those in the facade.
The edifice was built at a cost of US$6 million allocated by the federal government.
The building was officially accepted by Congress on 12 May 1906. As time went by, the building proved too small for its purpose, and in 1974 the construction of the Annex, which now holds the Deputies' offices, was started.
From 1976 to 1983 the palace housed the Legislative Advisory Commission (CAL), which was a group of officers from the three Armed Forces.
Congressional Plaza, built by French Argentine urbanist Charles Thays, faces the palace. Popular among tourists since its inauguration in 1910, the plaza is also a preferred location for protesters and those who want to voice their opinion about congressional activities and many other tourist attractions in argentina
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| iguazu waterfalls |
Iguazu name derived from the words in the language Guarani or Tupi y (IPA: [ɨ]) (water) and ûasú (IPA: [wa'su]) (large). Legend has it that the gods want to marry a woman named Naipí, who then went by her lover Tarobá in a canoe. Gods became angry and divide the river that creates a waterfalls and two of them fell into it. The first European to find this waterfall is a Spanish explorer Alvar Núñez Cabeza named Conquistador de Vaca in 1541, which is also enshrined in the name part of waterfalls on the Argentine side. This waterfall and then rediscovered by Boselli at the end of the 19th century, and one of the other waterfalls in the name of the Argentine side is named after his
colon theater buenos aires
 |
| colon theater buenos aires |
The Teatro Colón (Spanish) (Colón Theatre) is the main opera house in Buenos Aires, Argentina. It is ranked the third best opera house in the world by National Geographic,[1] and is acoustically considered to be amongst the five best concert venues in the world. The other venues are Berlin's Konzerthaus, Vienna's Musikverein, the Concertgebouw in Amsterdam, and Boston's Symphony Hall.
The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's Aïda.
The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo.
After this period of huge international success, the theatre's decline became clear and plans were made for massive renovations. After an initial start of works to restore the landmark in 2005, the theatre was closed for refurbishment from October 2006 to May 2010. It re-opened on 24 May 2010, with a programme for the 2010 season.
argentina Jesuit block and estancias of córdoba
 |
| argentina Jesuit block and estancias of córdoba |
The Jesuit Block and Estancias of Córdoba (Spanish: Manzana Jesuítica y Estancias de Córdoba) are a former Jesuit reduction built by missionaries in the province of Córdoba, Argentina, named a World Heritage Site in 2000.
The Manzana Jesuítica contains the University of Córdoba, one of the oldest in South America, the Monserrat Secondary School, a church, and residence buildings. To maintain such a project, the Jesuits operated six Estancias (residences) around the province of Córdoba, named Caroya, Jesús María, Santa Catalina, Alta Gracia, Candelaria and San Ignacio.
The farm and the complex, started in 1615, had to be left by the Jesuits, following the 1767 decree by King Charles III of Spain that expelled them from the continent. They were then run by the Franciscans until 1853, when the Jesuits returned to The Americas. Nevertheless, the university and the high-school were nationalized a year later.
Each Estancia has its own church and set of buildings, around which towns grew, such as Alta Gracia, the closest to the Block. The Estancia San Ignacio no longer exists. The Jesuit Block and the Estancias can be visited by tourists; the Road of the Jesuit Estancias has around 250 kilometres of length.
Floralis Generica
 |
| Floralis Generica |
Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and is both a hope that is reborn every day to open." It was created in 2002. The sculpture was designed to move, closing its petals in the evening and opening them in the morning, although this mechanism is currently disabled.
The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks at the sky, extending to its six petals. It weighs eighteen tons and is 23 meters high.
One of the characteristics of the flower is an electrical system that automatically opens and closes the petals depending on the time of the day. At night the flower closes, emanating a red glow from inside, and reopens ("...is reborn...") the following morning. This mechanism also closes the flower if strong winds blow.
It opens every morning at 8 and closes at sunset, on a schedule that changes according to season. When its petals were inaugurated, they didn't close due to technical problems which were solved two months later.
There are four special nights in which the petals are open: May 25, September 21, December 24 and December 31.
According to Eduardo Catalano, the author, Floralis "means belonging to the flora and therefore the flowers", and Genérica "from the concept of "gender" and indicates that it represents all the flowers in the world".
The electronics employed in opening and closing the flower were disabled in 2010 to prevent damaging the sculpture, so it remains permanently open. This is due to the fact that one of the petals was incorrectly installed during its assembly, as noted by Catalano himself. The company responsible for its construction, Lockheed Martin Aircraft Argentina, provided a 25-year warranty, but as the company was nationalized in 2009 its repair was delayed. The mechanism is expected to be functional again by March 2015.
argentina argentine national congress
 |
| argentina argentine national congressthe historical sights in argentina to your holiday |
The Palace of the Argentine National Congress (Spanish: Palacio del Congreso Nacional Argentino, often referred locally as Palacio del Congreso) is a monumental building, seat of the Argentine National Congress, located in Buenos Aires at the western end of Avenida de Mayo (at the other end of which is the Casa Rosada). Constructed between 1898 and 1906, the palace is a National Historic Landmark.
The Kilometre Zero for all Argentine National Highways is marked on a milestone at the Congressional Plaza, next to the building.Designed by the Italian architect Vittorio Meano and completed by Argentine architect Julio Dormal, the building was under construction between 1898 and 1906. Inaugurated that year, its aesthetic details were not completed until 1946. The quadriga atop the entrance is the work of sculptor Victor de Pol; Argentine sculptor Lola Mora graced the interior halls and exterior alike with numerous allegorical bronzes and marble statues, including those in the facade.
The edifice was built at a cost of US$6 million allocated by the federal government.
The building was officially accepted by Congress on 12 May 1906. As time went by, the building proved too small for its purpose, and in 1974 the construction of the Annex, which now holds the Deputies' offices, was started.
From 1976 to 1983 the palace housed the Legislative Advisory Commission (CAL), which was a group of officers from the three Armed Forces.
Congressional Plaza, built by French Argentine urbanist Charles Thays, faces the palace. Popular among tourists since its inauguration in 1910, the plaza is also a preferred location for protesters and those who want to voice their opinion about congressional activities and many other tourist attractions in argentina
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